![]() This offer is not included on any shipments to FPO/APO addresses. Music Direct reserves the right to change the terms of this promotion or discontinue this offer at any time. Music Direct reserves the right to select the carrier and ship method within the terms of this offer. This offer cannot be applied to previously placed orders. ![]() This offer also excludes Oppo, demos, closeouts/sale items and freight shipped items. ![]() **Orders must be at least $49, before tax, to qualify. *Ground shipping to the 48 contiguous states only (FPO/APO excluded). If you continue to see a shipping charge on your order, please check the exclusions listed below. When your order subtotal reaches $49 in the shopping cart the shipping charge for associated qualifying items will automatically be adjusted on your order. Place a qualifying order over $49* and receive FREE DOMESTIC GROUND SHIPPING. On The Lillywhite Sessions, he has, in turn, created his own. Walker has stepped through the door long ago opened by the Dave Matthews Band to find a world teeming with musical possibilities. This end-to-end interpretation of youthful fascination is a collective reminder that we are all just kids from somewhere, reckoning with our upbringing the best we can. Walker's "Grace is Gone," the most faithful take here, is a testament to his unflagging love for the music that helped make him a musician. Emerging from a wall of distortion, "Diggin' a Ditch" becomes a power trio wallop à la Dinosaur Jr, shaking off existential malaise like 20-something pals writing rock songs in the garage. With a delicate rhythmic latticework and vocals that ask you to lean in, "Busted Stuff" recalls Jim O' Rourke's golden Drag City days. On The Lillywhite Sessions, Ryley Walker and the similarly indebted trio of drummer Ryan Jewell and bassist Andrew Scott Young cover Dave Matthews' infamously abandoned 2001 art-rock masterpiece of the same name, a record where he and his band indulged a new adult pathos and a budding musical wanderlust.
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